If you operate a hotel in the UK and have ever been confused by the difference between PRS and PPL, what TheMusicLicence actually buys you, and how much it should cost — this guide gives you straight answers. We cover the two rights organisations, the joint licence, realistic costs across hotel sizes, what triggers inspections, and the operational steps to stay compliant.

This guide is vendor-neutral. Rafilis makes Rafilis Multizone, a multi-zone music management platform for hotels, restaurants and venues. But this software is not a substitute for TheMusicLicence — the licence covers the rights to play the music; the software just delivers it to your zones.

The two licensing bodies

When you play a recorded song in a public space, you're using two separate copyrights:

The underlying composition — the work itself, written by the songwriter and published by their music publisher. This is licensed by PRS for Music in the UK.

The sound recording — the specific recorded version, owned by the performer and the record label. This is licensed by PPL in the UK.

Both rights belong to different parties, both need to be paid. Historically these were two separate licences sold by two separate organisations. Since October 2018, PRS for Music and PPL launched a joint licensing service called TheMusicLicence, where one quote, one invoice and one administrative touchpoint covers both. This dramatically simplified UK licensing for hospitality operators.

You can still pay PRS and PPL separately if you choose to. Most hotels don't — TheMusicLicence is the standard product.

What TheMusicLicence covers

TheMusicLicence permits the public performance and playing of music in:

It also covers live music — bands, DJs, and acoustic performances — as long as the venue continuously holds TheMusicLicence. Specific high-volume venues (large clubs, festivals) may need additional event-based licences.

What it doesn't cover

How TheMusicLicence is calculated

Pricing is built on a per-area basis, with three main rate cards covering hotels:

Tariff B (Background Music in Hotels — public areas)

Charged per audible square metre of each public area, with a base annual rate. The lobby, restaurant, bar, spa, gym, and any other guest-facing area are itemised separately.

Typical illustrative rates (2026, subject to PPL/PRS annual updates):

AreaAnnual fee (£)
Hotel lobby (medium-sized)£350–£650
Restaurant (60–100 covers)£550–£1,200
Hotel bar (40–80 capacity)£450–£950
Spa / wellness suite£300–£600
Gym / fitness room£200–£420
Conference room (each)£150–£280
Outdoor terrace / pool deck£400–£800
Corridors / lifts (combined)£180–£350

Tariff for Hotel Bedrooms

Charged per room with a TV/radio. The current rate is approximately £15–£28 per room per year, depending on whether the room has only audio or audio+visual. For a hotel with 100 rooms × £20 average = £2,000/year just for bedrooms.

Tariff for Function Rooms / Events

Additional rates for spaces used regularly for events with significant music programming. Negotiated based on capacity, frequency and event type.

Cost examples for three hotel sizes

Example 1 — 35-room boutique hotel

ItemAnnual fee (£)
35 rooms × £20 (Tariff M)700
Lobby + reception450
Restaurant (50 covers)720
Bar (40 capacity)580
Total£2,450

Example 2 — 95-room mid-tier hotel with spa

ItemAnnual fee (£)
95 rooms × £22 (Tariff M)2,090
Lobby + reception580
Breakfast restaurant480
À la carte restaurant (80 covers)1,080
Bar / lounge750
Spa + wellness480
Gym340
3 function rooms720
Outdoor terrace620
Total£7,140

Example 3 — 280-room resort hotel

ItemAnnual fee (£)
280 rooms × £26 (Tariff M)7,280
Multiple F&B outlets (4)4,200
Multiple bars (3)2,800
Spa + wellness720
Gym + fitness studio580
Conference centre (5 rooms)1,800
Pool deck + outdoor areas1,400
Function/event rooms (high use)2,500
Total£21,280

These are illustrative. The actual quote from PPL/PRS will be tailored to your exact room counts, floor areas, and operational profile.

What triggers a PPL/PRS audit

PPL/PRS field officers periodically inspect UK hospitality venues. Several factors raise the likelihood of an inspection:

When an officer arrives, they will identify themselves, observe what music is playing in which areas, ask about your existing licence, and offer a settlement if any shortfall is found. Cooperative responses lead to negotiated back-payments. Uncooperative responses lead to formal legal action.

Common UK hotel licensing mistakes

1. Treating TheMusicLicence as a one-time setup, then forgetting. TheMusicLicence is renewed annually, and your charge is based on the venue profile you last declared. If you've added an outdoor terrace, opened a new bar, or expanded the spa, you need to update PPL/PRS — they will eventually find out and back-charge.

2. Assuming radio in the bedroom is exempt. It isn't. Any room with a TV or radio (which is almost every modern hotel room) falls under Tariff M.

3. Mixing Spotify Premium with TheMusicLicence and thinking you're covered. TheMusicLicence permits the public performance, but doesn't grant you the right to use Spotify Premium commercially — that's still a breach of Spotify's terms. Use a B2B music service or self-host the files.

4. Hosting weddings or events without declaring the function-room usage. Function rooms used for music-driven events generate additional fees. Hiding this from your declaration is the single most common cause of post-audit back-charges.

5. Believing your B2B music platform covers all UK licensing. Soundtrack Your Brand and Mood Media do bundle PRS and PPL in the UK — but only while your subscription is active. If you cancel and start using files you already have on disk, the bundled licence ends. You then need TheMusicLicence direct from PPL/PRS.

How to set up TheMusicLicence

The process is straightforward:

  1. Visit pplprs.co.uk and use the quote tool. It asks about your venue type, areas with music, capacity, and operational hours.
  2. Receive an automated quote, usually within a few minutes. If your situation is unusual (large resort, multiple F&B outlets), you may be routed to a representative.
  3. Sign the agreement and pay annually (or monthly, with a small premium).
  4. Display the licence if required (typical for venues open to the public).
  5. Update the licence whenever your venue profile changes — added a new function room, expanded the bar, etc.

The PPL/PRS team can also handle multi-property licensing for chains and groups, with single negotiated agreements covering multiple venues.

Where music software fits in

Holding TheMusicLicence is the legal foundation. The music software you use to deliver music to your zones is a separate layer. A well-structured multi-zone audio platform like Rafilis Multizone helps with compliance documentation in three ways:

The software doesn't change your licence cost. It does make your compliance posture clearer if questioned.

Practical next steps for a UK hotelier

If your hotel is not currently licensed, or you're unsure your licence is complete:

  1. Audit every public-facing area where music is audible — including lifts and corridors
  2. Count rooms with TV/radio
  3. Get a quote from PPL/PRS (pplprs.co.uk) — they don't charge for quotes
  4. Compare the quote to what you currently pay (if anything) to identify gaps
  5. Negotiate the gap rather than ignoring it — PPL/PRS prefer cooperative resolution
  6. Set up annual review: any new area or capacity change gets reported

Further reading

To put licensing in context with the rest of your hotel's audio operation:

TheMusicLicence is the most predictable element of running music in a UK hotel. A clean annual fee, calculated against a clear profile, with one organisation handling both rights bodies. There is no strategic reason not to license correctly — the cost of compliance is always lower than the cost of audit.